Camera Requirements |
- Digital Cameras with HDSDI Output
- Film Cameras with HD tap or upscaled SD tap
- One set of Sensors and Computer per camera
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Supported Lenses |
- Cine Prime
- Cine Zoom
- ENG Zoom
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Lens Metadata |
- Preston II or 3 over serial
- CMotion CVolution on Camin 4M and above
- Cooke Lens Protocol over serial
- Mo-Sys Crane Lens Protocol over serial
- CPG Lens Metadata over serial
- Arri LDS over SDI
- Fujinon Cine over “Serial Port”
- Fujinon ENG over “Serial Port”
- Canon ENG over “Virtual Port”
- RT Motion over serial (legacy support only)
- SpiderCam Protocol over serial
- Previzion Embedded Metadata over SDI Playback
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Lens Calibration |
- Field Portable Lens Calibration System for Zooms or Primes
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Positioning Systems |
- Lightcraft Airtrack and Intersense Genlocked Optical/Inertial Tracking
- General Lift Encodacam Crane
- Kuper Box Crane
- Mo-Sys Crane
- SpiderCam
- OSystems GPS/IMU
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Stereo Rig Support |
- Element Technica Rigs
- Cameron Pace Group (CPG) Rigs
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Supported Formats |
- 1920/1080 HDSDI
- Progressive, PsF and Interlaced
- 23.98p, 23.98PsF (24fps), 25p, 25PsF, 29.97p, 29.97PsF (30fps), 50.00i, 59.94i (60i), 720/50Hz (RedOne) and 720/60Hz (RedOne in 24fps)
- Output format determined by Camera HDSDI input format
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Genlock/Sync |
- Genlock with SMPTE Tri-Level Sync Signal
- Reference for Previzion Output in Tri-Level Signal for all supported formats
- Reference for Previzion Output in Bi-Level Signal for 25.00 PsF, 29.97PsF and 59.94i formats
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Timecode |
- LTC Timecode input over BNC
- ANC VITC Timecode over HDSDI
- Internal Generated Timecode (reference)
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Video Delay |
- 2-frame delay over unbuffered high-speed output (reference)
- 5-frame delay over HDSDI outputs
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Power Requirements |
- 1000W Peak Power Draw at 110V
- 110V/220V Compatible
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Form Factor |
- 4U Rackmount + 2U Signal Breakout
- Multi-System Studio Rack on Wheels
- Portable “Lunchbox” Ruggadized System with Built-in Monitor/Keyboard + Portable Video Signal Breakout
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Network Compatibility |
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Rendering |
- Built-in 3D Render Engine
- Up to 8 HD Video Plates (at 23.98 fps)
- Up to 3 4K Video Plates (at 23.98 fps)
- Up to 3 Gigapixels of Textures
- Up to 12 Milliion Polygons
- Up to 3 Thousand nodes
- Variable Live Video Plane Depth
- Baked-in Lighting
- Spherical Reflections
- Full Depth-of-Field Support
- Transparencies Support
- Scaleable Motion Blur
- Optimized Anti-Aliasing
- User Programable CgFx Shadders
- Live Motion Builder and Maya Animation Input (with PreLink)
- Live Motion Builder Camera Animation Output (with PreCam)
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Supported Formats |
- Scenes Files
- Maya FBX 2010-2012
- Format: Binary
- Version: 2010
- Maya FBX 2013
- Format: Binary
- Version: 2013
- Maya FBX 2014
- Format: Binary
- Version: 2014
- Modo Collada and FBX (no shaders supported)
- 3ds Max FBX (no shaders supported)
- Animation Files (PreLink)
- MotionBuilder 2010-2013
- Maya 2010-2013
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Keying |
- Built-in Color/Difference Keyer
- Blue and Green Presets
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Garbage Mattes |
- 3D Spacial Garbage Mattes
- Despill Mattes
- Surveyed or Drawn Mattes
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Color Correction |
- Built-in Color Corrector for Background or Live Foreground
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Inputs |
- 2 different Silmulteneous HDSDI Inputs (Genlocked)
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Outputs |
- 2 different Silmulteneous HDSDI Outputs (Composite, Matte, Foreground, Background, Depth Map and/or Reference Signal)
- Tracking and Lens Metadata Embedded in either HDSDI outputs (stored as SMPTE 315M)
- Take data recorded to XML collada file with timecode
- Take files convertible to many common formats using “TakeConverter”
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